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Lola At Last Review

Lola Barnes’s summer is not off to the best start.
Fresh off a scandal that tanked her social status, Lola has somehow managed to also alienate her twin sister, lose the friends she thought she had, and put a . . . fiery end to the first party of the summer.
(The boat was barely on fire, for the record—and all the partygoers were just fine.)
Lola is given an ultimatum: jail time, or spend the summer with the nonprofit Hike Like a Girl.
Everyone seems to expect Lola to fail. But even as Lola encounters bugs, blisters, and bears (oh my!), she finds something greater that she’d been missing all along: unexpected friends, a sweet romance, strength she didn’t know she had—and herself, Lola, at last.
Peterson knocks it out of the park again with her companion novel, Lola At Last. As with Mary, the Austen fandom has softened up on Lydia Bennet slander because she was sheltered, un-parented teen girl who was shamed and stuck with Wickham at the end. She was attention-seeking, but she’s also sixteen, so her ending seems mega-harsh. Peterson agreed and in this contemporary retelling, she seeks to give Lydia or in this case, Lola, her happily ever after.
Which is a lot of work.
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Being Mary Bennet Review

It is a truth universally acknowledged that every bookworm secretly wishes to be Lizzie Bennet.
A less acknowledged truth is that Mary Bennet might be a better fit.
For seventeen-year-old Marnie Barnes, who’s convinced she is the long-suffering protagonist of her life, this revelation comes at the end of a series of self-induced disasters that force her to confront a devastating truth: Marnie has more in common with Mary Bennet—the utterly forgettable middle sister—than the effervescent Lizzie.
Determined to reinvent herself, she enlists the help of her bubbly roommate and opens herself up to the world—leading lady style. And between new friends, a very cute boy, and a rescue pup named Sir Pat, Marnie realizes that being the main character doesn’t mean rewriting your life entirely. It’s about finding the right cast of characters, the love interest of your dreams, and, most important, embracing your story, flaws and all.
Pride and Prejudice is a classic as we all know with the various retellings, and while many have latched on to Lizzy and Darcy’s love story, there has been a resurgence of affection for the forgotten, bookish sister of the Bennet five, Mary. I have seen at least four books already highlighting the forgotten sister running from contemporary to regency as authors give the smart Bennet her time in the spotlight.
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The Story of My Anger Review

Yulieta Lopez is angry. Angry at her racist drama teacher who refuses to cast Black students in lead roles. Angry at the school board threatening her favorite teacher for teaching works of literature that they deem “controversial.” Angry that she has to keep quiet until she can head to college and leave Texas forever.
Yuli is accustomed to playing various roles: the diligent daughter, the honorable hija, the good girl who serves everyone else before serving herself. But as the fire of Yuli’s rage spreads and lights her up, she can no longer be silent. Determined to find a way to fight back, Yuli and her friends start a guerilla theatre club which stirs things up and gets people talking, and finally, Yuli steps into the role she was always meant to play.
Perfect for fans of Elizabeth Acevedo, the story focuses on how anger can be your ally, not your downfall.
We all know the stereotype of the angry black girl, and as Yuli doesn’t want to cause her mother more stress, nor does she want to put her dream of being the lead of the school play in jeopardy, she swallows it down. However, being quiet is not enough when her whole being runs counter to what the drama teacher envisions to be the all-American female lead.
Mendez does a great job illustrating the boiling anger within Yuli, the injustice of being the good girl while those who say racist things receive no consequences. How being good doesn’t seem to bring results. That anger is also explored in different ways from Yuli’s other brother and his college protests, and the stories of her mother’s time as an activist on the islands. Anger is seen as wrong, too much, too loud, but it can also be a fuel to fight for justice. It all comes down to how you channel your anger.
Plus I enjoyed the ending and how that anger that she thought would be her downfall ends up inspiring Yuli to find out she has newer, more important dreams than fitting into a theater that would never accept her. She can become unforgettable in a different way.
Honestly, it reminds me of this A:tla quote- “
I enjoyed the way the story flowed. Even though it was primarily in prose, and in script-font, Mendez wove in the importance of art, guerilla theater, microaggressions in theater, book bans and censorship into a cohesive piece. The prose amplified that because poetry is art itself, a way to express feelings and create empathy/let people see themselves.
However, because of the medium, it arouses big emotions, yet also feels surface level. But perhaps that’s because I’m bad at interpreting poetry and verse.
The only downside is that I wanted more of Yuli’s mom, she seemed so cool and I wanted to learn more of her story and how she learned to channel her passion and anger. Same with Yunior whose activism is a big part of the book, but he ends up taking a step back in order to protect his physical/metal health. I know it wasn’t his story, so it makes sense we wouldn’t be privvy to the drain on him, but maybe if Mendez had him confide a bit more to Yuli we could have gotten it.
3 stars.
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Lauri Robinson Interview

Lauri Robinson is a prolific author of historical romance from westerns such as Unwrapping the Rancher’s Secret to A Gilded Age Christmas to The Heiress and the Baby Boom, and many more eras in between. With over sixty books to her name, she graciously took the time to answer my questions about her writing journey, research and what is coming next from her pen.
1. When did you begin writing?
It all started when my husband said that I should write a book because I read so many, and I thought, fine, I will. It took five years, but then my first book was published by the Wild Rose Press in 2007, and I continued to have eighteen more books published by them. My dream was to write for Harlequin, and I got my first contract from them in 2010. Since then, I’ve written over sixty books in their historical line.
2. What romances inspired you?
Too many to count. Both of my grandmothers and my mother were avid readers. From a young age, I was one of those kids who read with a flashlight under the covers long after ‘lights out’. Years later, my go to became romance novels, and though I read many genres, that remains my favorite, and I’m still reading late into the night.
3. What drew you to the historical romance genre?
I was given a copy of The Flame and the Flower by Kathleen Woodiwiss and that’s all it took. I devoured every book written by her, and that embedded historical novels as my favorites, to read, and the genre I wanted to write.
4. Do you have any favorite tropes to write? Or ones you hope to try?
I can’t say that I have a favorite trope, they each have unique challenges and successes. When I’m brainstorming a new story, it’s the characters who come to me first, the positions they find themselves in, and it’s often not until I start writing that I fully understand why they are in those positions and what they need to move forward.
Romance novels are centered on the inner conflicts of the characters, and the trope of the story is often the outer conflicts that create obstacles the characters must face. I’ve written enemies to loves, friends to lovers, second chance, forced proximity, fake relationships, mail ordered brides, Cinderella stories, surprise babies, secret babies, etc. etc., and have found all of them enjoyable.
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Valentine’s Day: Harlequin Romance Edition
It’s that time of year again, so in honor of the month of love, I finished my Harlequin romance reading. Plus a few others.
Silks, Swords and Surrender by Jeannie Lin (Tang Dynasty)

From USA TODAY bestselling author Jeannie Lin comes a tantalizing new five-story volume. Take a journey to Tang Dynasty China and join five unique heroines as they fight, seduce and steal their way into their heroes’ hearts.
Rediscover four reader-favorite stories and immerse yourself in The Touch of Moonlight, the brand-new sexy novella from this highly-acclaimed author!
I accidentally picked up a anthology of Lin’s novellas that relate to her Lotus Palace series, so I was a bit confused as to who the characters were, backstories, and all that. However, I was still able to enjoy several of them like “The Taming of Mei Lin” which had two warriors coming to put down their pride, and fight back to back for love and honoring their ancestors. Admittedly, I was envisioning Mulan and Shang the whole time since it gave me the same vibe.
“Capturing the Silken Thief” was a departure from the warrior-girls that dance through Lin’s novellas as it paid homage to ancient Chinese fable of a scholar and song-girl, providing a sensual, intellectual romance that made for a satisfying ending as they navigate a way to keep their chosen careers in court while falling in love.
I believe one of Lin’s greatest strengths is how she immerses the readers into this world with his complicated rules of honor and etiquette, its lush settings, and emotions stirring underneath the surface.
A Marquis to Protect the Governess by Parker J Cole (Versailles)

Reeling from the discovery that everything she knew about her life was a lie, Isadora is forced to take up a position as a governess in the brooding Marquis de Lyonnais’s household. As she helps the marquis bond with his orphaned nephew, Isadora can’t help but be drawn to the man behind the title. But can she trust him to protect her secret…one that’s so explosive it could rock the court of King Louis XV!
This was a fun blend of Harlequin romance with notes of Rhys’ Wide Sagrasso Sea. Maybe that’s because of Isadora’s Haiti connection, this one is not nearly as tragic as Rhys’ novel. Cole creates an exciting forbidden romance between the Marquis who has to pick up the pieces of his rakish younger brother’s life after he dies. Ie. take care of his ward and fall for the governess.
Isadora’s secret makes it a sort of Cinderella story, but this is Versailles, and while the French are more lax about people of color than England, her revealing her highborn origins might paint a target on her back by social climbers. I enjoyed seeing Isadora break down the Marquis’ more lighthearted side, and the Marquis’ succumbing to his desires to help Isadora receive her rightful inheritance and assure her that she deserves protection and happiness and love.
There is a third act break-up because Isadora jumps to conclusions which is so annoying, but I guess that’s part of the Harlequin formula. Still it was cool to see POC achieving romance in historical setting, this being more focused on courtly backstabbing than race. Perfect for fans of Bridgerton, I think.
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